We’ll explore other important details as we go along, as the need arises. We’re planning to explore additional performance angles in the future, including, of course, playback performance. Our attention here will be to focus on AVC and HEVC encoding from AVC, RED, and ProRes sources. Even if we were to single out one piece of the workflow, like encoding, one or two results is going to tell only part of the overall story. There’s certainly no “one” way to measure Premiere Pro or Media Encoder performance. For this article, we’re going to focus entirely on GPU encoding performance, pitting a collection of 21 GPUs from AMD and NVIDIA against each other in the new 14.2 release, as well as 14.0.4 (which was used in our recent review of AMD’s Radeon Pro W5500). You can get a fuller look at the updates on Adobe’s official blog. Other notable features in the May 2020 Premiere Pro and Media Encoder update include support for Apple’s ProRes RAW format, better support for Bezier curves with the pen tool, Auto Reframe powered by Adobe Sensei AI technologies, support for audio files in Creative Cloud libraries, and a great quality-of-life improvement: automatic switching to newly plugged-in audio devices.
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